Jūng Herrenausstatter (Germany) 70s, Prince of Wales, Virgin Wool

Jūng Herrenausstatter (Germany) 70s, Prince of Wales, Virgin Wool SUNDAZED & OUTSIDE SOCIETY S.O.S. | sundazed.io/sos ...The German-made men’s blazer by Jung Herrenausstatter—cut in a weighty Prince of Wales tweed and composed with visible pad-stitching and regional fidelity—presents itself not as fashion, but as sartorial architecture: measured, storied, and structurally sovereign. Constructed from a dense virgin wool, likely sourced from a German or British mill, the fabric possesses a dry hand, low loft, and pronounced check rendered in a muted chromatic field of rust, cobalt, black, and olive. This textile becomes the garment’s central thesis—a visual and tactile transcript of permanence, locality, and cold-weather function. The silhouette, defined by a soft-rolled shoulder, long lapel line, and boxy torso with gentle waist suppression, recalls the mid- to late-20th-century German tailoring archetype—where Anglo influences were reinterpreted through the lens of Central European pragmatism. Internally, the exposed zigzag pad-stitching affirms the garment’s cultural specificity. In West German ateliers between the 1960s and 1980s, such construction was not merely utilitarian but ideologically honest—craft as visible architecture, not concealed flourish. This functional transparency now reads as conceptual intentionality, akin to the philosophical design vocabularies of Geoffrey B.